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About Flamenco
Written descriptions of Flamenco as a bona fide genre of Spanish
music date back to the 18th century, when it made its first
appearances in taverns and cafés. But Flamenco, the
music of Spain's Gitanos (Gypsies) for centuries, has deeper roots reaching back to the
15th century--the time of Ferdinand and Isabella's completion
of the Reconquest of Spain and the defeat of the Moorish kingdom
of Granada in Andalusia.
At that time, Moors, Jews, and Gitanos alike were officially
exiled, consequently forming fringe communities outside of
Spain's mainstream society; over time, their musical customs
combined, and what emerged were songs of deep sorrow, longing
and passion--much akin to the rise of America's Delta Blues.
Today, musical elements of Arabic, Gypsy, and Jewish origin
can be heard and seen in the "pure" forms of Flamenco music
and dance, including the Soleares, Seguiriyas, and Peteneras
as well as the most venerable of all, the cante jondo
(deep song). Later additions to Flamenco's family of over
50 palos (styles) include other musical traditions
of Andalusia such as Sevillanas and Malagueñas, as
well as the Rumbas and Guajiras of Latin American and Cuban
origin--the so-called "Ida y Vuelta" styles that came to the
New World in colonial times and returned to Spain as distinctly
new forms centuries later.
Flamenco guitar as a solo performance
art is a recent trend, beginning in the 20th century
with such masters as Ramón Montoya--considered by many to be the father
of modern Flamenco guitar. Initially, Flamenco consisted of song
and dance; later, perhaps in the 17th century, the guitar was added
to provide a more rhythmic backdrop. By the 19th century, garish Flamenco shows were commonplace in Flamenco cafés.
And while it is known that Gaspar Sanz, the great master of Baroque guitar, was influenced by the diverse folk
musical traditions of Spain--possibly including Flamenco--the art suffered a spotted history outside of Andalusia. Only
in the 20th century did it achieve widespread acceptance.
While certain regions of Andalusia (Sevilla,
Jerez de la Frontera, Almeria, etc.) still claim to be the true
homes of Flamenco, it has found worldwide appeal, and Flamenco traditions
are well-established in South America, Mexico, and the Southwestern
United States. Even Japan boasts a number of Flamenco enthusiasts.
With its rich multicultural appeal and its singular passion, that
comes as no surprise. |